Sheet music → https://www.mymusicsheet.com/animenzzz/53594 Attack on Titan is one of these anime series, where small bits of information are being revealed with every new season and each of them are slowly fitting together like a gigantic puzzle Every season is changing the status quo and with the time, you become unsure which side of the factions you are supposed to root for. All you can do is to just watch and see how the grand story is going to unfold in the end. “Ashes on The Fire” is probably the most recognizable soundtrack in the Final Season and its enigmatic main motif “GF#-GG” (2:40) has really fascinated me: It has a feeling of “uncertainty” and I feel like fate itself is giving its voice in the music. It is interesting to note, that this main motif is used in other tracks of the OST album as well (for example in Track 02 “The Other Side of the Sea”) ① The “Chain of Hate” One of the most striking characteristics of “Ashes on The Fire” is the endlessly repeating background v iolins in the middle voice range. There are multiple variations such as 1:46, 2:54 or 4:00 but they all have one thing in common: They are perfectly looped. I was thinking about the meaning behind these perpetual movements in the music and I came up with the following theory: The characters in Attack on Titan are in a perpetual war with each other and they all repeat the same mistake over and over again – basically forming an endless “Chain of Hate”. violin voices are essentially rekindling the already burned down world: “Ashes on The Fire”. :16).Therefore, the “Chain of Hate” will continue to play, even if the video has ended.There is no god. ② Extreme Dynamic difference From suspenseful ppp (2:20) or a literal explosion of fff (3: 22): This arrangement shows both extreme ends of the dynamic scale and it almost a always happens instantaneously. The original song kept building up the tension in the music again and again with these extreme dynamic differences and I did the same on the piano as well. On a side note, I think this is the first time I pressed the sustain pedal for almost 8 whole bars. The entire section from 0:35 until 1:02 is sustained by the right pedal in order to keep the G-minor chord intact and to build up tension in the music. this piece again in a big concert hall and enjoy the reverb) ③ The one-man “orchestra” on the piano In 1:10 for example, I managed to include the brass instruments in the middle voice range while the right hand continues to play the repeating patterns. But what happens if the multiple voices are too far away from each other? My initial idea was to play the original violin melody (4:00) during the climax in 1:46 and 3:22 but it required impossibly fast jumps for both hands. That’s why I had to modify the violin melody a l ittle bit to make it more reasonable to play with the three-hand technique. I guess as a piano arranger, you always have to look for alternative solutions: You want to replicate the “spirit” of the original song as faithful as you can, but you should still be able to play it with only two hands. Alright, that’s it for today! This week’s “Animenz Explains” has gotten a little bit longer than expected but big thanks to everyone, who have made it so far! you enjoyed my orchestra-style arrangement of “Ashes on The Fire” this week and I am looking forward to see you in the next video again! Let’s hope the “Chain of Hate” will be finally broken at the end of this season. you next time! Animenz ——*——*——*——*——*——*— —*——*——*——* 📣My Social Media Follow me on Twitter! https://twitter.com/Animenzzz I am using Instagram as well! https://www.instagram.com/animenz_official/ My Facebook page: http://www.facebook.com/Animenz ——*——*——*– —-* ——*——*——*——*——*——* 🎹Piano arrangement by Animenz Original Song: Ashes on The Fire Anime: Attack on Titan Final Season (2021) Published by: PONY CANYON (2021) Composed by: KOHTA YAMAMOTO ——*——*——*– —-*——*——*——*——*——*——* #AttackonTitan # AoT #FinalSeason #TATAKAE

32 Comments

  1. Tienes mucho talento hombre
    Realmente no puedo decir que no guste
    El sentimiento transmitido es extraordinario
    Admiración total! ❤️

  2. 3:22 this part is amazing. It's very hard to play this gamma from right hand to left and keep playing true dynamic on bass chords and melody

  3. At first I was just listening to this and thought wow that’s great. Then I looked at his hands at the end was like, “ OH SHIT…”.This was better than amazing, shit had me speechless watching it the second time through.

  4. This sounds so amazing that I'm trying to learn it now. One thing I'm having trouble with is the right hand at 2:22, i can easily choose any two fingers and do alternating pattern (tremolo?) correctly, but the second I try it with 3 or more fingers it falls apart. I'm not sure how I should practice it as it seems more like a mental struggle than a physical one. This sounds so good, especially the descending scales with the octaves like in 1:46

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