[Tacopy’s Original Sin Episode 4]Explaining Shizuka’s “emotional manipulation” and Junya’s greatness Episode 4 of “Tacopy’s Original Sin” analyzed by a psychotherapist[Overseas reactions][English learning][English explanation][English subtitles][REACTS]

【タコピーの原罪 4話】 しずかの「感情操作」と純也の素晴らしさを解説　心理療法士が解析する「タコピーの原罪」4話【海外の反応】【英語学習】【英語解説】【英語字幕】【REACTS】

Fore after recording episode 3 last week, I had a revelation. about the meaning behind the title Tak P’s original sin. Up to this point, I’ve analyzed Taco P as a symbol of naive innocence, a kind of toxic positivity wrapped in a well-meaning fixture mindset. But at its core, though, Tak isn’t just an external observer or fixture trying to help. It is innocence itself, untainted, untouched by the complexities of human suffering. From a Judeo-Christian perspective, the term original sin refers to Adam and Eve’s disobedience. The moment they tasted fruit of knowledge and fell from innocence. Does that sound familiar? And in episode 1, Takopi experiences something similar. It loses its pure innocence the moment it discovers Shizukat’s lifeless body, her suicide triggered by Marina’s sociopathic bullying and manipulation. That moment wasn’t random, though. It was a direct result of Takis breaking its mother’s rule. He gave Shizuka the happy ribbon without supervision. That single act meant to spread joy and companionship led instead to tragedy. Just like tasting the forbidden fruit of knowledge, that I believe is Takop’s original sin. Not malice, but disobedience born from innocence. Why do you yell? Junior, we see the immediate impact of Marina’s lifeless body being discovered to everyone involved. And what did Azuma just blur out? He was like, I’ll cover for you. That is him projecting based on his subconscious fear of getting caught and again feeling of inadequacy. Covering up dead body was his idea. He was like the mastermind because Shizuka and Taopi were literally clueless. So in his fragile and innocent minds though well intended which is a Constantine he was freaking out and it comes down to him feeling worthless. He did not perform up to the standard yet again. Just like how he was conditioning raised upon. And him walking lifelessly to close out is another sign of a flashback and trauma response. Remember fight, flight, fear, and fawn right here. Whole list of four primary human primary fear responses by humans generally speaking. And him we’re seeing them uh seeing Azuma walking, but he’s frozen. And I was curious to see what Takopio was going to say before it or she was interrupted. And I’m guessing he’s probably trying to confess the emotional reconciliation after that mirror reflective moment in episode 3 after Marina’s mother having a breakdown because she realized it’s not really Merina. Her daughter might be no more or she was pleading for Marina to return. So much there. Look at the just such a pronounced difference between Azuma’s facial expression. He is in full frenzy mode. Azuma is freaking out. I would too, of course. The guilt overwhelm. Oh my gosh, the spotlight effect. Do you see the light flashing really brightly in the back of Auma’s head? I think that’s a metaphorical or symbolic representation of the spotlight effect definition here. Spotlight effect is developmentally what adolescents or teenagers go through. You know, they put so much effort on makeup, making sure their hair is perfect, wearing the right thing. Of course, adults do that too. But in the adolescent uh underdeveloped cognitive minds, they think the spotlight of the entire world is onto them. This erggo, it’s literally called the spotlight effect. It’s like, “Oh my gosh, everyone is watching me.” That is what Azuma is going through. The cops are here. The police are here. I’m going to get caught. And of course, we see the teacher in the background face paling, probably distraught and whatever the teacher is going through. Cuz I think emotionally death of a child has way more impact emotionally for an adult who understands the implication and what that really means, the totality and the end all beall of death. Whereas for children, I think they know what he means conceptually, but the emotional impact is not the same. We see Auma flipping through the secret notebook, but do you see his voice? Pay attention to his voice. It’s very monotone. There’s no tonation. There’s no tonality. It will be okay. I didn’t know about the geological survey, but it was in the memory box. Uh, Zuma’s truly sounds like Cha GBT. Although Chaji BT’s audio feature sounds really good and actually sounds like different people talking. Anyway, I was off tangent. So, back. But we see right here, Shizuka is not really nervous. I don’t know if Shizuka is dissociating from the impact, but we see a very, very different response from Azuma trauma response of just very monotone, just in survival mode, literally just flipping through pages. But kudos to them and kudos to Auma. He is right because Marina’s body was in the memory box. The life or the the status of the body, I’m sure it hasn’t really decayed and it’s been preserved pretty well. So, that will confuse the forensic investigation team in the corner about the exact time of death. Uh, and then they did wipe out their fingerprints and so on. So, they did do a pretty pretty amazing job of a cover up for fourth graders. But of course in Azuma’s head he is freaking out and he failed once again. Takobi speaking up again is it’s the emotional reconciliation. It realized through the confrontation of the mirror reflection moment in episode 3 as it talked about. That’s why I think Taco P is also going through the its own guilt for the first time because remember its pure innocence was shattered with the actions of disobedience born from innocence. But because his pure innocence is shattered, it finally learns that there are consequences to actions and the complexities of human suffering. But ultimately this human experience the human condition of oh when a mother loses her daughter they grief no matter how awful of a mother or abusive they are at least with Marina’s mother we know that she she does care from what I’ve seen and analyzed in episode 3 but we can also see that there’s three people in the scene Shizuka and Tak. But I can tell just from the animation that all three people or all three characters are having their own thoughts. I think literally none of them are on the same brave brain wavelength right now. I think everyone is thinking about their own things. Uh we call that racing thoughts, overthinking, rumination. I do want to talk about Shizuka’s emotional manipulation definition right here or I guess in the modern words with what kids would say, gaslighting. I’ve seen glimpses of Shizuka’s manipulative tendencies and gaslighting tendencies in episode 3, as I talked about. After Marina died, something about Shizuka flipped. And I think that’s her own trauma response and just overjoyed by the fact that the source of pain and abuse and bullying and sociopathic, borderline sadistic, just all that behaviors by Marina disappeared. I will be over the moon. I give her that for sure. But what we’re seeing right now is Shizuka is actually emotionally manipulating Azuma. It could be a product of a trauma bonding definition right here. A trauma bonding is the special bond of trauma that unites different people. People call each other trauma sisters, trauma brothers. A lot of sexual assaults survivors and victims. They form trauma bonds because not many people outside of that community of trauma or trauma bonds understands or can’t even relate the despair and the tragedy and the trauma behind sexual abuse and sexual trauma. So that’s why it’s called trauma bonding. It is a special bond. And I think what Shizuka is doing unknowingly because she’s just a fourth grader and I do not think she’s a sociopath. I think all of these are just trauma responses and survival instincts by Shizuka herself. through trauma bonding. I think she’s emu emotionally manipulating Azuma. Hey, remember you told us you promised, you said we will be able to go to Tokyo. But that is Auma’s own trauma response of being conditioned that love is conditional in his mind because of how his mom raised him. So that’s why he’s like, “Oh yeah, right. I promised it. We need to make it happen. I am responsible for going to Tokyo because I made that promise.” Shizuka is relying on me. Because for a person like Auma who’s been conditioned or who’s been instilled with the idea that love is conditional, nothing feels better than feeling like other people are being dependent on me because people are only dependent on you if you are worthy. So that’s what is going through in Azuma’s mind and that’s why he’s having hearts in the emoji. But Shizuka’s emotional manipulation out of a trauma bond is very fascinating to see. Very unexpected, but makes sense. Azuma’s internal monologue. Oh, maybe if we confess now, it won’t be too late. Oh, yeah. We have to make this work. Let’s look at the bullet train schedule. Oh, yeah. I’m the I was the one who said I could do it. through throughout Zuma’s monologue which is a beautiful uh design by the animation studio and the writers we’re seeing this cognitive dissonance definition right here we’re seeing this internal struggle of what do I need to do oh yeah I said this I need to deliver but what about this A or B A or B we’re seeing so much conflict that’s happening invisible struggle So before we see Junior’s conversation with Ozumo, everything that was saying is exactly what I’m saying again. He’s entering survival mode. He’s planning, planning, planning, planning, planning. It’s his redemption arc. Azuma is trying to self-redeem because in his mind, like I said, he thinks he failed. It was his idea, but then the body was still covered. They look alike, too. Dude, the animation here is amazing. It’s almost as if the spotlight effect, but this time through this color red is showing up once again and Azuma freaking out. I I’m feel like this is a very very powerful visual representation of Azuma in a literal hot seat. It’s almost like he was he’s being interrogated even though Junior is literally just asking caring, very considerate and thoughtful questions is, “Hey, are you okay? Oh my gosh, I cannot believe your classmate died. Didn’t you guys hang out together? How are you handling little brother? Are you okay? You can vent to me. I’m here for you. I got your back.” Those are the intentions of Junior. But because of the spotlight effect and the fear and the guilt and overwhelm, because of what Azuma is feeling internally, externally, the questions are being perceived in a very different way. So, we’re seeing this contrast yet again. Junior’s innocence and Junior’s thoughtfulness and Azuma being in the hot seat with this red alarm, alarm. Junior knows something is off. This is the reason why cultivating our community, deepening our meaningful social relationships one another is one of the most predictors of our future health. Uh, so I think because of that, Junior knows something’s off and he is very worried. But in Junior’s mind, obviously, he’s not going to make the connection that my little brother is capable of being an active accomplice to covering up the dead body or murder or whatever accidental death. So, in Junior’s mind, it’s probably like, “Oh, my poor little brother. He’s freaking out.” But did you see Azuma leaving and escaping the room to the bathroom as soon as Junior approached with the phone? Again, he’s so overwhelmed. So, I guess instead of confessing to Junior, he retreated to the bathroom to just take a timeout cuz it’s so much the seat was literally getting too too hot. So, he had to escape the hot seats. The spotlight effect. Shizuka’s emotional manipulation is back. But also, can we talk about Azuma coaching Shizuka of pleading the fifth and answering minimal amount of questions? With that enchantments of Azuma, we’re seeing Azuma once again, I guess, doing homework and problem solving to get his mind off of the news that they might be caught. See, Azuma can’t focus. You guys ever noticed like, can you guys relate? When we’re talking to someone or thinking about something, we’re also writing something down or typing something and like maybe moments have gone by and by the time we we regained our consciousness and paid attention back to the task at hand, we realized we wrote down completely something completely irrelevant. We wrote down something that we were either thinking about or talking about versus what’s pertaining to the task at hands. That’s what’s happening to Azuma. And it’s not we all do the same thing. When we’re not really paying attention, our subconscious takes over. So that’s the power of our consciousness and mindfulness. But we see that there’s so much distraction happening in Azuma’s poor mind. I would not wish to be like him. He didn’t finish. See? You see what I mean? 54%. You know the running jokes for a tiger Asian household is if you get a B, that’s an F. Failure. Failure. I can smell the failure. But for a zoom, because of the conditional attachment style and his self-worth, his conditions upon his performance, a 54% is an actual F. But in his minds, and his mother’s minds, that is like a triple F. I made that grades up because there’s no triple F. But that is actually a failure. Not just about a grade, but failure of his self-worth. And he is undeserving. Azuma is not worthy of being loved by his mother yet again. So this is like double trauma right there. There’s the mother doing dishes. Yep. Auma looks absolutely distraught. Here comes the cold treatment. The walk of death before gets criticized again by his mother. Huh? Whoa. Japanese fluffy pancakes. No, something sus. I hope that’s the case. What? Wow. Sick animation, though. Whoa. I just got full body goosebumps, y’all. Oh my gosh. I knew Yeah. The the psychological profile of the mother’s toxicity has been established. So, why did I even doubt? That’s why I was being sused out. And as I suspected, the mother didn’t have a change of heart. It’s not because she knows what Azuma is going through with the death of Marina having a tough time. No, it just she was setting up the stage for her toxicity to be full-blown. Go ahead, eat the fluffy pancakes. I stopped caring about you. I gave up. You gave up. It’s so toxic. So emotionally abusive. Remember abuse and violence is not just blood. It’s not just beating. Abuse is any act that has serious impact and scarring effect on us. And what the mother is doing is psychologically and emotionally abusive. Full stop. Auma is left traumatized, scarred, and his self-worth shattered into pieces. Yet again, man. So many parents in this show, dude. Auma is vomiting. Uh he’s having a physiological adverse effect based on that response based on mother’s emotional and psychological abuse, but also again his sense of failure, his worthlessness in addition to just feeling overwhelmed. And last thing I would say is his toxic mother called him childish, attentionseeking. I would love to talk to the mother and be like, “Hey, your son is a fourth grader.” What do you mean childish? They are children. They’re supposed to be childish. Childish is when someone’s behavior and their age do not line up. But Zuma has every right to seek the attention of his mother. That’s what children do. It’s you, the mother, who’s acting childish and toxic. Oh, getting frustrated at all these horrible parents. Auma walking lifelessly yet again. Depiction of his trauma, survival mode, feeling of abandonment. What the is Shizuka always in the playgrounds? Oh man, anytime I let my guards down, the show gets intense. Once again, there is so much packed in that dialogue and brief exchange between Shizuka and Azum Azumo. We see Shizuka’s emotional manipulation happening yet again. Just like Shizuka was a scapegoat, going back to skateboard theory, just like Shizuka was a scapegoat for Merina and all her bullying squad out of their misery, now Shizuka is actually doing the same thing to Azuma. Shizuka is now using Auma as a scapegoat. Hey, I can’t go. Can you turn yourself in? Can you just take everything? I can’t go. I don’t want to get arrested. And we also see Azuma overcompensating trying to fix and save Shizuka. And we call this like the helper tendency or I guess more low-key savior complex. A lot of people that struggle with savior complex if they’re not struggling also from their grandiosity or yeah just having this grandio tendency. A lot of people with savior complex is because they cannot save themselves from their own limiting circumstances because so many savior complex people feel so helpless, so powerless, so aimless in their own lives. What do they do? that overcompensates by putting all the eggs in the basket of saving other people. Save you. Save you. Save you. It’s like Oprah dishing out. I got you. I got you. I got you. But they don’t got themselves because they cannot control their own lives. But maybe, just maybe, they can save other people. That’s what we’re seeing with Azumo. He feels so utterly powerless and helpless and worthless in his own life with everything I talked about. So, he’s doubling down on Shizuka. When Juno was young, he looked just like Auma. Yeah. Wow. And again, dude, the Junior freaking is eating fluffy pancakes and playing games. Uh, he truly is a gifted child. He just I’m sure he slayed every exam putting very no effort. That’s why the mom has so high hopes for him and he could afford to study and get a part-time job. A very very gifted kid for sure. What is this? Damn. 100%. Wow. Oh, did Auma just say Junior was number one in the country? Whoa. Yeah, it looks like I got goosebumps again because this seems I don’t know what you’re taking away, but this is just Ozuma’s trauma written all over it because I think he is once again his self-worth is being pit against can you do this for me? Can you do this for Shizuka? Are you going to let other people down? Can you live up to Shizuka’s expectations? Or will you fail her expectations just like how you failed your mother’s expectation growing up? Because you can never get 100%. Your brother never had to wear glasses. Bro, aren’t you a doctor? Don’t you know how opto like opto optomology opthalmology? That’s a tongue twister. I get it. She’s not opto opthalmologist, right? Which means eye doctor. But you know the basic anatomy. You know that our eyesight are genetics. the actual like watching TV up close, reading books in the car under the blanket because I used to do that a lot. I used to read books with a lamp under the blanket after past my bedtime, right? I don’t know why I did this cuz it was past my bedtime. Yeah, that that has very marginal small effect on our eyesight. I’m not saying it has no effect, but it’s not the main driver of our eyesight getting worse. It’s actually predominantly genetics and the study has been shown that. So this is Azuma wearing glasses is purely genetics and as a physician the mother should get that but again in her toxic way. Your brother never had to wear glasses so why should you? It’s not because she lacks financial means to buy glasses because glasses are expensive. But again it’s that unrealistic ideal expectations of pitting Auma against her first son Juny. Super toxic. Bro, so toxic trauma with those black eyes. He’s still number one student. Smart, really smart kid. This is a beautiful demonstration of what sort of a trauma you will scar your child with if you’re just living out of this achievement conditional love mindset because of the toxicity of the mother’s raising of Azuma. Auma starts to get resentful against Junya. When Junior start to act out even though he never did, right? Azuma is like this is my chance to regain the favor. This is my chance to become the favorite son. He is now not just competing against the brother, but actually secretly wishing upon Junior’s dismay for Junior to fell off to hang out with delinquents. That’s not something nice to wish upon your older brother, your blood and your family. And this is not Azuma’s fault. This is 100% the fault of his mother. This is the type of children and family dynamic you will create if all you ever live for is achievements and grades and excellence. Of course, being excellent being academically rigorous so that we can pursue our aspirations whatever their career that may be because being a doctor is not the only good job. There’s many many good jobs out there and it’s more about do we love what we do? Are we willing to put in the effort to become good at what we do? And lastly, and hopefully, are we getting paid for what we’re loving to do and what we’re good at? That is the holy trinity of what we want to aim for. Doing what we’re good at that happens to be what we love and passionate about, but also getting paid. That’s my life. I love what I do. Having a YouTube channel, doing these academic, more detailed psychological breakdown, also being a psychotherapist, working my clinical work. I love what I do. This is by design. I’m also getting paid for it. I’m very, very grateful and thankful. I truly do. But I just want to really put this on a massive billboard and shout out to the world. Please be thoughtful and think about the impact of our actions because every action has a consequence just as that’s what Takopi learns through that mirror reflection moment as I talked about in the introduction. The silky black hair he ruins double eyelids. That’s so funny. The writers also master sprinkle in enough of humor comedy because the shows is so intense. It’s the same actually tempo and setup as Kdrama. And as soon as the show was getting super deep uh with trauma and everything I talked about, guess what? Comedy and humor gets sprinkled in like the double eyelids. I don’t think this is as big in Korea anymore or Eastern Asia like Korea, Japan, China, but it was huge back then having double eyelids. People will get surgeries to get double eyelids because it’s the look. But now I know single eyelids because I have single eyelids are gaining some love um that it deserves. Oh my gosh. So, I love this flashback is actually giving us more context from episode one. Although Shizuka is completely broken, bruises all over, dust, shirts are wrinkled, and obviously beaten up by Marina, she’s like, “It’s fine.” Um, but Azuma obviously knows she’s not fine. And I guess it sounds like Auma decided to follow Shizuka and Marina to the forest that happens in later episode. And all his efforts to intervene and trying to stop the bullying from happening is not actually because Auma cares about Shizuka, not as like a humanitarian reason. It’s more about I’m the class president. No bullying is allowed in my classroom. And as his mother instilled in him because as a physician a mistake can cost your patient’s life. So it is a very very serious sacred profession. Although of course not all doctors are great, right? There’s plenty of shitty doctors out there. Just like there’s shady psychotherapists, shady engineers of course, right? Everyone’s different. Duh. But because of that perfectionism mindset, Azuma is like, I have to do this perfectly just like what my older brother Junior would have done. So it’s a montage of all the efforts. Do you see the contrast of school at home? School at home. We saw that with his flashback. We saw that with his grades. All his classmates are like, “Oh my gosh, you’re number two in our town. You score above 90%. You score the highest in our school. Like at school there’s so much praises, approval, acceptance, love. But at home just colds, pancakes in the trash can. No acceptance, no love, no praises. Such a deep show. So many cold pancakes. So back to school. It’s pitch dark. Oh, I think now we’re back to the presents. That’s the another factor why Azuma is literally doing whatever it takes to appease and to make Shizuka happy because Shizuka looks like his mother. That’s another similarities and that’s another reason why Azuma must be perfect and must save and not let Shizuka down. Wow. Wow. That’s crazy. Oh man, the hearts are getting bigger. And also, as soon as I was caught up thinking about Shizuka’s emotional manipulation and her own gaslighting tendencies out of trauma bonding, once again, it’s a trauma response. The show reminds me of how much of a victim Shizuka was, man. But of course, it’s not one or the other. We can be both perpetrator and a victim. We are both sinners and saints. But here in Azuma’s eyes, back to the present tense, the heart emoji is getting bigger and bigger and bigger. But look at behind the hearts, what do we see? Shizuka’s shadow with glaring green eyes. Shizuka literally looks like a monster because of the gaslighting and emotion manipulation tendency I talked about out of her trauma bonding, right? But just focus on this scene right now, the pause scene. It’s such an iconic scene. It’s crazy. In this moment, Shizuka has turned into a perpetrator of manipulation and Auma has turned into a victim of enchantments, being mesmerized and putting all his eggs of selfworth and lovable nature into Shizuka’s approval. Unbelievable setup. See, more flashback, more trauma response. So Azuma did cover the entire memory capsule under the ground cuz I was like for how methodical he was, there was no way Azuma would have left freaking half of the memory capsule above the ground to be discovered. But based on this flashback, we see that Azuma did do his best in covering up Marina’s lifeless body. So it’s not really again, it’s not his fault, it’s the weather. But in his mind, this is my second shot. I must be perfect. Even though guys, as I talked about this countless times, perfection is an illusion. If we are perfect, air quotes, there’s no more points of striving for improvement. There’s no more innovation. There’s no more beauty of serendipity. There’s no more beauty of progress. Perfectionism kills progress. Full stop. Amazing animation. Wow. More montage of trauma. Him reconciling with what do I do? What should I do? I need to be worthy. Now back to the present. He’s projecting. Definitely not Daiu, bro. Nothing’s going to be okay. Oh gosh, dude. Oh, poor. A child just wants to be loved unconditionally. Yeah, I really hope that Azuma comes clean. Junior accepts him, hopefully hugs him, and hopefully it’s like a happy ending cuz this is a it’s been a pretty intense episode so far. Uh, but the last thing I will say is Shizuka’s kiss on Azuma’s cheek. That is like the epitome and the display of Shizuka’s emotional manipulation and gaslighting manifesting through this very intimate physical gesture of kissing on his cheek. That’s like the final spell of enchantments, right? It’s like bam. Azuma is now under the spell of Shizuka. Again, Shizuka doesn’t know she’s doing this. She doesn’t know that she’s being manipulative. Shizuka is also just trying to survive. She doesn’t want to go to jail. She just escaped the tyranny and the sadistic abuse of Marina. She just became free. So, of course, she wants she wants to go to Tokyo. Of course, she wants to reunite with Chappie. So, Shizuka is not fully innocent, but she also doesn’t know that she’s being a perpetrator. She’s just trying to survive. That’s the complexities. And this is the reason why this is such a deep anime. And so that’s why I’m spending already over an hour again every episode trying to deconstruct and break down the concepts because if you don’t have a full not just a full if you don’t have an enough grasp about the human conditions and human psychology you can take very different meanings out of this show. But anyway, so back I’m very eager to see what Junia does and we’ll see what Azuma tells Junia because it is so sus for your fourth grader little brother to leave your house at whenever this is midnight or definitely after the curfew. Whoa. Whoa. That’s intense. Oh, because Azuma is feeling guilty. All that distortion, Junior talking like a monster being getting bigger, the reflections in Azuma’s eyes of this purple monster figure, all that is Junior’s guilt manifesting and twisting the reality. Because remember guys, what we feel internally, what we feel in the inside always influence how we perceive the outside. In other words, our internal reality distorts and influences external reality. Oh, what a cool big bro. You can tell me anything. What a nice thing to say. Again, look at the frame. On the left is Junya supported by everyone who approves him, loves him, accepts him. But on the right of my screen, Azuma is all alone, single, no support, no acceptance, no loving community who’s got his back. And again, this is not the reality, but this is the reality and how Azuma feels. But of course, we know that Azuma also has plenty of people who care about him. Not to mention, Junior is 100% behind Azuma. But of course, in Azuma’s minds, because of all that trauma caused by his mother, it’s always a competition. He’s always competing against his older brother. Oh yeah. Let it out. Let it out. Whoa. Whoa. What is going on? Oh my gosh. Whoa. Goosebumps. Oh. Oh, fireworks. Oh my gosh, that was such a heartwarming episode. This beautiful transference of Chunya’s unex unconditional love onto Ozumo with the fireworks of lights in Azuma’s eyes. And can we talk about how amazing the animation is and this very powerful storytelling and depiction of very very important emotional themes being displayed through Azuma’s reflection in his eyes. We’ve seen that with Shizuka’s reflection. We’ve seen that with the heart emojis. We’ve seen that on and on and on again. It’s amazing. It’s just like how Takopi had a reflection moments through the mirror in Marina’s household after the Marina’s mother breaking down. We’re also seeing using Azuma’s reflection in his eyes. It’s like a mirror reflection moment for all of us, for all of us, for all of the viewers to also reflect upon this is what unconditional love looks like. This is a reason why performance and how well we do in life at work or in school should not dictate our self-worth. It’s all about the people that accepts us for who we are. And this is the reason why being seen, being accepted, and being heard are the three crucial ingredients to make sure a human can thrive and feel good in this world. And that’s what Junior is displaying. But what a beautiful, beautiful scene. Wow. You see what I mean? The writers have mastered this dopamine wave, right? After intensity, the suspense, it draws you in and ends it with this wholesome, beautiful, heartwarming scene. Wow, that was sick animation. That’s true. Monster. Oh my gosh. Great game. Oh. Oh. Oh. Wow. Quick pause. That is so deep. What Junior said? What Junior just did for Aumo is he in a firstand POV one man to man humanto human brotherto brother conversation Junior just shattered the illusion of perfectionism because remember in Auma’s limited fourth grader minds his mother is perfect because she’s a doctor her his brother is perfect because he’s number one in the country he’s prodigy he gets 100% in everything therefore I must be perfect but he’s not perfect cuz he’s getting 95% in exams. Oh my gosh, 95%. How dare he? Right? Does that make sense? If you think everyone in your life is perfect, not just everyone, everyone in your family, your most intimate nuclear family circle is perfect. Of course, you feel the pressure to be perfect in addition to the mother’s emotional and verbal abuses. But Junya, who Azuma mistakenly thought he was perfect, just said that, “Hey, I suck at Monster Hunter.” Shout out to Monster Hunter. Amazing game. And shout out to Junior also shattering the elusive perfe per perfectionism that his mom is always trying to display. The pancake sucks. She’s so busy, but she still tries to make these pancakes the night before her shift and put it in the fridge. So, it’s undercooked and it’s hard. But Junior doesn’t know that. Or not Junior, Azuma doesn’t know that because he never got to eat the pancakes. The pancakes all always went to the trash. Because you think Azuma is going to eat those pancakes after those verbal and emotional abuse? No. He has no appetite. So he actually never tasted those pancakes, those fluffy looking pancakes. Seemingly perfect, but it’s undercooked and hardened. Beautiful thing that Junior just did. Amazing. And I’m sure this will plant the seed that again perfectionism is not real. Perfect is a lie. But progress can be measured. And progress and effort are the only two things that count. Oh. Big bro, he has the murder weapon. Oh my gosh. Oh, we see that the lights already coming through the front door. So again, remember Junia’s thoughts Auma from leaving the house at night. So hours, many, many, many hours have already gone by. So, I’m sure they had a sounds like they had a heartto-heart. And Auma finally expressed everything he’s been depressing. And I’ve shared this before, but I’ll share it again. It’s my favorite mental health adage. What we do not express gets depressed. We have to let it out. But it’s important that whoever we’re venting to, like I talked about in episode one, must be grounded and have a very good emotional understanding about you, your circumstances, and the skill of active listening. Not listening for the sake of, but listening to understand, to care, to empathize. That’s what Junior is also displaying beautifully, this therapeutic skill and practice of active listening. And we see that Junior is also tearing up. Of course, this is a beautiful display of this heartfelt wholesome emotional resonation or emotional resonance and emotional reconciliation with big brother and little brother. Not competition, not I need to best and outperform my big bro, but rather big bro, I have so many more things to tell you. There’s love. This is a beautiful display of familiar love and brotherly love. Something that the mother failed to display and show. Such a beautiful scene. And the light represents transformation, renewal, and hope. What are the rumors? We’re seeing the clock again. Tokyo. Wow. Uh to finish off, I guess we’re seeing Shizuka’s underdeveloped because children, fourth graders, their cognitive process or their brains are not fully developed. She’s not fully grasping the magnitude of the rumors that were happening in the background. Sounds like Auma turns himself in and admitted to being an accomplice, but sounds like the rumors are out that Shizuka is the one that’s ultim ultimately responsible. And we see that Shizuka talking to herself, saying that, “I guess Azuma won’t help me anymore.” Immediately afterwards, she becomes carefree. She’s like, “But who cares? It’s summer break, day one. Time to go to Tokyo and reunite with my one and only Chappie.” That is a normal child response. This is what we call childlike. So, Shizuka’s as a child is not fully grasping what is going on, and that’s very normal. Anyway, wow. I recorded for an hour and 20 minutes again. This is a really, really great show. I do hope that this wins the anime of the year award as many people are suspecting and speculating. But of course, the first couple episodes are really hard to get through, but I do think it has a lot of importance and significance emotionally and psychologically, which is a reason why you guys asked me to react to it. forch. for Fore! Fore!chch! Fore! Fore!chch! Fore! Fore!chch! Fore! Foreign! Foreign! So many colds. Pancake. for Fore! Fore!chch! Fore! Fore!chch! Fore! Fore!chch! for disobedience. Obedience The soldier was punished for disobedience. Her disobedience to her parents caused constant arguments at home. adolescent. Adolescents often struggle with identity and independence. He wrote a book about adolescent psychology. Fore subconscious. Dreams often reflect our subconscious thoughts. He had a subconscious fear of failure. for redemption. The movie is about a criminal’s journey toward redemption. He sought redemption by apologizing to those he hurt. Fore hot seat. The politician was in the hot seat during the debate. He found himself in the hot seat when his plan failed. childish. Stop being so childish and act like an adult. He has a childish sense of humor that still makes me laugh. ideal. She is the ideal candidate for the job. Living by the beach would be ideal for me. delinquent. The program helps delinquent teens get back on the right track. He was charged for being delinquent on his taxes. Rigorous She went through rigorous training to become a pilot. The study was conducted under rigorous scientific standards. Come clean. He finally came clean about breaking the vase. It’s better to come clean now than to be caught later. empathize. I can empathize with your frustration. I’ve been there, too. She empathized with the character in the novel. Foreign Prodigy. Foreign Mozart was a musical prodigy who composed music as a child. The young math prodigy solved problems that stumped professors. Fore speech.

I have obtained permission from the original video owner to use and translate this content. When using and translating this content, you have obtained permission from the original video owner to use and translate this content. When it’s difficult, don’t take it alone, and consult with the consultation center.#HappySOS https://www.lifelink.or.jp/inochisos/ Ministry of Health, Labor and Welfare Telephone Consultation Center https://www.mhlw.go.jp/stf/seisakunitsuite/bunya/hukushi_kaigo/seikatsuhogo/jisatsu/soudan_tel.html Suicide Prevention Promotion Center that Supports Life https://jscp.or.jp/soudan/index.html *There are some parts in English subtitles that are incorrect. In that case, please point out any corrections (please point them out as gently as possible) *Please help us subscribe to the channel and give us a high rating! ! Psychotherapist Reacts https://www.youtube.com/watch?v=uPR3sQUFG8s&t=916s ©Taizan 5/Shueisha/The Original Sin of Tacopy Production Committee A cute girl’s voice Provided by Niji Voice: Tart, Mossmura Marimo ⊡About the video This video provides viewers with an “English study experience” by adding English and Japanese subtitles to the original video. The uploader uses his own avatar to react and also explains English words and other content, and is a “reaction video with comments on the original video” in the YouTube terms and conditions. ⊡Educational content This video is educational content aimed at Japanese people, allowing you to learn English efficiently. Japanese subtitles are attached, with the top of the video showing the meaning of the English words, and the right side contains detailed explanations and cultural backgrounds using images. By displaying English subtitles at the same time, you can practice listening and shadowing, and watching it over and over again will improve your English comprehension. ⊡All the lines of the avatar characters displayed in the top right of the English lesson video are thought of by the video poster. An English lesson is inserted at the end of the video. By using this avatar to make comments and comments, the content of the video is prevented from becoming monotonous and gives it an original entertainment value. ⊡Editing: In editing, the editing uses the necessary methods to insert background music and sound effects to avoid monotony, making it seem like the avatar in the top right is reacting. The scenes are properly cut and edited to make them easier for viewers to see. ⊡Regarding Video Permissions The only materials used in the video are those that have been granted permission from the original creator or from Creative Commons, and no unauthorized materials are used. If there is a problem, we will contact you. ⊡YouTube Channel Monetization Policy Regarding the Channel Monetization Policy, the videos are actually edited by the poster themselves, and all subtitles are original and thought out by the poster and collaborators, and are different from other translations. It uses a unique technique to display both English and Japanese subtitles at the same time and explain the cultural background for a deeper understanding of translation, which makes this the channel’s big original content. It also states that the entire team is working on production to avoid monotony. Therefore, the video on the channel is not reused content. ⊡ Theme of this Video This video adds English and Japanese subtitles to reaction videos, delivering an unparalleled “English learning experience” to viewers. With the uploader’s avatar (the creator) reacting and providing explanations, the video falls under YouTube’s guidelines for “reaction videos with comments on the original content.” ⊡ About the Video To ensure Japanese viewers find it accessible, the video undergoes color editing and incorporates voice changes for varied voices. ⊡ Educational Value of this Video and Channel Tailored for Japanese audiences, this video serves as educational content for efficient English learning. Japanese subtitles aid comprehension, and additional sections on the video display meanings of English words and detailed explanations with cultural backgrounds, using visuals. English subtitles enable listening and shadowing practice, leading to Gradual improvement in English comprehension with repeated viewing and study. ⊡ Avatar Character in the Top-Right Corner of the Video Using a voice changer, the avatar delivers an English lesson at the video’s end, intentionally adopting a feminine speaking style. The creator manages all aspects of video production, including comments and reactions to prevent monotony and infuse the video with original entertainment. ⊡ Editing To keep viewers engaged, appropriate BGM and sound effects are added, and the avatar on the top-right reacts with facial expressions imitating the creator. The video is skillfully cut for easy viewing. #Anime #The original sin of Tacopying