キアヌ・リーブスがマトリックスの象徴的なバレットタイムシーンを愛らしく解説
When I met the directors at first, you know, they had an early version of bullet time. Yeah. You know, it’s like a bullet through Yeah. Yeah. And you’re doing something that’s never been done. You’ve got the wire on the harness in the back. You’ve been doing train and it’s so fast the movement and you know like the bullets got to come this way and you’ve got to move in real time. Yeah. And you’re like And it’s hard not to move slowly. You can’t move slow. You got to go. And so you work out the choreography. You’re like, “Okay, what would look cool?” Like the bullets coming. I’m like, “Well, what if I throw this arm back?” And you want to get just so your back is perfectly lateral to the ground. And you have to do it all when the cameras go. Oh my god. So, you got to just like and action and that’s it. And then you and then you watch it and you were like, “Fuck yeah.” Yeah. So that to me became like a popcorn moment.
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